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Hello. My name's Liz Plummer and I'm a Textile Artist. I love the texture of fabric. I love dyeing it and painting it and stitching into it. This blog is about the influences on my work, inspiration, my daily life, and the processes of creating. Enjoy!

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Email me at liz AT lizplummer DOT com (sorry I have to write it like this but the spambots have been hitting me!

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My Etsy Shop

Notable Pages in my blog

How to Make a Concertina Book

Landscape Postcards from Inspiration to Execution

How to Mount a Small Quilt on to Foamcore

Altering Photos to make Gocco Screens

Print Gocco Web Links

Print Gocco Machines for sale

Maps of Textile Museums compiled on Google Maps. If you know of any more, please email me or leave a comment.

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Yummy buttons and fun with snow dyeing

Around Christmas time I treated myself to a few of Lisa Peter’s gorgeous raku buttons – I love her pottery and I had a hard time deciding which to buy.  I love the earthy feel of these three….

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Also around this time, I decided to take advantage of the snow and do some snow dyeing.  I did this totally erratically without referring to any written instructions but I like the way these turned out.  I piled all the fabric on top of each other and this is what it looked like with the snow on top (complete with bits of organic greenery to add to the design!)

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Here is one of the pieces of fabric – this is quite transparent cotton organdie (I always wondered what organdie was from the song Scarborough Fair!).

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I hung this up on my design wall over the top of one of my practice reeds samples and was interested to note that the reeds were more visible through the black part than the white, for some reason…

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Here is a closer look so you can see what I mean:

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I think I’ll have to exploit that property sometime!

This is some silk crepe fabric:

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I love the strokeable texture of it here:

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The colours are closer to the above photos but this one captures the markings better.  I may have taken it when it was wet.  For some reason, silk crepes and organzas are very difficult to photograph without the colours being washed out.  Anyone know why?  I wonder if it is related to the way the light reflects off the fibres.

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Yummy, luscious compost dyed fabric!

Unless you’re a gardening afficionado, the words ‘yummy’ and ‘luscious’ don’t really appear together with the word ‘compost’ but wait till you see this fabric I just rinsed!!

A couple of years ago I bought the DVD Markmaking with Nature from Kimberly Baxter Packwood.  Kimberly is extremely knowledgeable about all things related to natural dyeing, and one of them is a technique she calls compost dyeing.  I have been intrigued and wanted to try it for a while now, but didn’t get round to it till January.  Basically, it involves laying natural dye extracts and other vegetable matter on fabric and shoving it in the compost heap for a while. 

Well, it was January, so I left out the compost heap bit, but I did the rest, wrapped it up with a load of natural dye extracts and some banana skins and rolled it up, soaked it in vinegar, nuked it in the microwave to start it off, and left it for 2 months.  How about that for self discipline?!!  Anyway, yesterday the suspense got too much. I was going to leave it for a while longer given that the weather wasn’t all that warm (it has been inside, not out so it didn’t get TOO cold).  And the results were amazing!

I did two pieces, both silk.

purple compost dyed silk

This one is a sort of silk crepe.  I put a lot of logwood on this, I think, and various other things (I was extremely disorganised and just grabbed handfuls of whatever dye extracts I have). 

close up of purple compost dyed fabric

This shows some of the markings on it.

And this one is a habotai silk scarf.  I think I used a lot of madder on this one.

reddy compost dyed fabric

This was the one which had the banana skins rolled in with it.  I had to hang it over the chair to photograph it – it was incredibly hard to photograph as the light just bounced off the sheen of the silk.

red compost dyed silk scarf

Both together:

purple and red compost dyed silk

I’m so glad these turned out well, because I also tried rinsing a thin section of some of the screenprinted fabric and ochre painted fabric that I also did with natural dyes and those were disappointing.    I don’t know whether the gum was too thick or whether I just need to leave it a lot longer, but most of the colour washed out of the tiny sample that I did.  I may just leave the ochre painted one as most of my art won’t be washed anyway.  Time will tell…

Jane Dunnewold’s Art Cloth Challenge

In December, Jane Dunnewold of Art Cloth Studios issued a challenge to 12 brave and adventurous art cloth makers. This was the brief, in Jane’s words:

In December of 2007, I issued an invitation to surface designers through the Complex Cloth Internet list. Anyone who was interested in working on a dyed two yard length of silk habotai was to write to me and indicate interest. I put all the names in a hat, and drew out twelve participants’ names. I wanted it to be a democratic event.

I spent a happy evening reading the wonderful blog The Art Cloth Challenge. Go and have a look – it’s really worth it! And amazing to see what different cloth resulted from 12 people’s vision of the same piece of cloth and to read their journals about how they altered it.

Dyeing with onion skins

I have been collecting onion skins for ages now, for dyeing, and I decided the other day that I was sick of the sight of them hanging round.  So I mordanted some pencil roving and some fibre in alum (the pencil roving had previously been dyed with indigo but was fairly pale and patchy).

This is what it looked like all pristine and white:

white pencil roving 

This is it indigo dyed:

indigo dyed pencil roving

I boiled up the onion skins for about 45 minutes and extracted the dye and then simmered the roving in it.  Haven’t got any photos of that stage but here is some silk which I did in the exhaust dye.

silk simmering in onion skin dyestuff

Now it’s hanging on the line:

onion skin dyed rovings on line 

close up of onion skin dyed roving

Here’s the fibre I dyed, drying on some newspaper:

onion skin dyed fibre

And here is a photo of the silk – it is actually a deeper colour than that.

onion skin dyed silk

Gocco printed House fabric

After you were all so complimentary about my house fabric, I decided that I would list some in my Etsy shop…

You can find it here.

Here are some pics of it:

In case you missed it the first time round, here is my blog post where I used it for a house journal when I was doing the second of Sue Bleiweiss’s online journal making courses.

house fabric

A trip to Weston

I have been rather neglecting this blog of late so I am going to try and remedy that by bringing in more details of my daily life and what I’m getting up to.  And I’ve also decided to close my Daily Photos blog because I think the photos would be better incorporated into this blog.

A week ago I took the kids on the train to Weston-super-Mare for the day.  It is only across the Bristol Channel from us as the crow flies but by land you have to go all around and through Bristol so I hadn’t been there for several years.  It is a typical Victorian British seaside resort complete with pier:

pier at Weston super Mare

As you can see, the tide goes out a long way!  There weren’t many people on the beach because it was a VERY windy day!

beach shop and cafe at Weston

It also has the usual beach stalls selling balls, wind breaks and other stuff, and a cafe to get your polystyrene cups of tea to warm you up.  There are donkey rides, too, but I only got them inadvertently in the background of a video I took of the kids playing football.

Georgian crescent in Weston

We also discovered this elegant Georgian crescent.