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Hello. My name's Liz Plummer and I'm a Textile Artist. I love the texture of fabric. I love dyeing it and painting it and stitching into it. This blog is about the influences on my work, inspiration, my daily life, and the processes of creating. Enjoy!

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Email me at liz AT lizplummer DOT com (sorry I have to write it like this but the spambots have been hitting me!

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Notable Pages in my blog

How to Make a Concertina Book

Landscape Postcards from Inspiration to Execution

How to Mount a Small Quilt on to Foamcore

Altering Photos to make Gocco Screens

Print Gocco Web Links

Print Gocco Machines for sale

Maps of Textile Museums compiled on Google Maps. If you know of any more, please email me or leave a comment.

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A little pair of felted slippers

How do you get from this:

ginormous knitted sock

to this:

felted slippers

with the least effort possible?

I took it into my head the other day to use up some of the vast supplies of yarn I’ve accumulated so I decided to make a pair of felted slippers.    So I went to Knitty and found this pattern for Fuzzy Feet.   

This must have been the quickest things I have ever knitted.  I only took a day to knit each (aided and accompanied by lots of Cast On podcasts on Itunes) on 10mm circular needles with some yarn from Rio de la Plata that I bought last year.  I had heard that it felted well but hadn’t tested it…     They knitted up so quickly I would make these again any time.

Anyway, they were absolutely ginormous to start with…. this photo shows one of them on the ironing board:

slipper

And here they are nearly finished:

slippers nearly finished

Then I had to throw them in the washing machine with a towel to agitate and aid the felting.  The last thing I felted took two 60 degree washes (centigrade) so I thought it was going to take a long time but I followed the pattern for these and did them at 40 and stopped it halfway through the wash cycle.  (I had to check the manual for that… it’s a computerized machine and I’ve only ever done that before when it has refused to spin properly due to me loading it too full!).   And I was glad I did because they’d shrunk quite adequately by then.  So I finished them off with the rinse cycle and then, as the pattern suggested, put them on for a while and walked around to fit them to my feet.  And here is the result!

finished felted slippers

These took two skeins of Rio de la Plata but I am definitely going to use this yarn for felting because I love the way it looks and feels.

Book review – Knitting Art

This book was sent to me to review on my blog.

Knitting Art: 180 innovative works from 18 contemporary artists

book review knitting art

I love the gorgeous photography and the colourful knitted pieces. This is not a ‘how to’ book, it is an anthology of knitted art by a number of different artists. I wouldn’t normally buy this type of book, tending more towards ‘technique’ type books. But I loved this one.

It focuses on the work of 18 different artists using knitting as their medium. Along with the photographs of their work, each artist talks about how they came to do what they do, their inspiration, their process and how they get ideas and structure their day as an artist. They are all from North America and their knitted works vary from wearable art to huge installations. And superhero suits…

Even though I don’t use knitting in my work (yet!) I enjoyed reading about what motivates them as artists. And got ideas. One of them, Jeung-Hwa Park, ties her knitting round resists such as stones and then felts it. The tied areas don’t felt so you get the contrast between the texture of the felted and unfelted parts.

It’s a book to read one artist at a time and I’m sure I will be dipping into it constantly as I grow as an artist myself.

The photos are gorgeous, both close up and of the whole thing.

Here are the vital statistics:

Author: Karen Searle

ISBN: 978-0-7603-3067-8

Retail: $34.95US – $38.50CAN – £25.00

Hardcover / 8.5 x 11 / 160 pages / 171 color photos

Pub Date: October 2008

Available in bookstores everywhere or through www.voyageurpress.com.


Hundertwasser socks and a bit more gocco printing

I haven’t had much knitting on the pages of this blog for a while.  It seems to be the winter when I do most of it, because of the long dark evenings when the light isn’t good enough for getting the colours right to create something with fabrics or paint.

This time I made another pair of socks out of some gorgeous Hundertwasser sock yarn by Opal which I bought in Abergavenny market a while ago.  Here they are in their colourful glory!

hundertwasser socks

I’m looking forward to wearing them through the cold weather….

I’ve also been doing some more Gocco printing this week, using a couple of screens I made to test some of the machines I’ve been selling.  This one is a crow which I drew using the Gocco pen and doodled inside to fill in the pattern of his feathers.  It is a small one which I’ve printed on lots of little cards and a few Moleskine notebooks.

little crow gocco prints

crow Gocco print on Moleskine notebook

I also printed one on this previously painted newspaper:

bird1

I’ve also stamped this at the bottom with a wall-shaped print block that I made from fun foam (great for making print blocks!). 

Today I printed an image of a cottage in the grounds of the slate mine we visited in North Wales in the summer but that will be the subject of my next post…

Swatch for SSS shawl

Here is the swatch for the Knitalong shawl which I am participating in:

swatch for shawl

It is rather larger than it should be but I’ve got plenty of yarn and I’m happy with the looseness so I think I’ll stick with the needle size, 3.5mm.  It is Jaggerspun Zephyr yarn.

Cobweb ring shawl

I did it – I blocked it!   Problem is, when I had blocked it, I saw all the mistakes I had made…. and also there was a hole in it, whether made by moths or rough treatment I’m not sure.  I think I can mend it – I’m certainly not going to unpick it after all this time, that’s for sure!!

Having said all that, I was ASTOUNDED at the difference it made to the shawl.  I am definitely going to block all lace stuff in the future.

Here is a corner of it pinned out on the floor – it was difficult to see the whole thing because of the colour of the sheet underneath which doesn’t provide enough contrast.

cobweb ring shawl being blocked

Here it is now it is dry:

ring shawl

Please ignore the state of my studio in the background – perfectly normal, I assure you!

I loved it when the light shone through it:

ring shawl with sun shining through

I found the pattern and a small ball of the yarn so I will be able to mend it with the same stuff.  It was a kit purchased from the Women’s Realm magazine, price £4.47, 71p per hank!  Golly.  6 hanks of Cobweb Shetland Wool from Messrs Jamieson and Smith of Lerwick in Shetland in 1985.  History!

Stupidly I don’t have any ‘before’ photos for you to compare it with….

Swatch for Springshawlsurprice knitalong!

I’m taking part in my first knitalong in the spring, as a result of being on Ravelry and finding out what’s out there!  I have knitted very little lace but I did knit a Shetland ringshawl a couple of decades ago (it took me a few years to finish it but I eventually did!).  I didn’t know about what a difference blocking made until I read Stitch ‘n’ Bitch Handbook by Debbie Stoller so I have never blocked it, but I plan to very shortly and will post a picture of it when I do.    When one of my sons was dedicated as a baby, I wrapped him in it.  Right, now I’ve written it, nag me till I do it!!

Anyway, for the knitalong we have just been given a swatch to do to get used to knitting with our chosen yarn and to ensure the edges are elastic enough.  I’m using Jaggerspun Zephyr 2/18 laceweight wool/silk in claret:

Jaggerspun Zephyr laceweight yarn

Hopefully this will be enough!!!!

Here is my swatch:

swatch in burgundy yarn 

I’m glad I had this practice because it took quite a lot of getting used to, and the needles I used were very slippery.  I’m going to order some special lace knitting needles by Addi which apparently make it easier.