For the last few weeks I’ve been doing an online course called The Art and Business of Pattern Design. I decided to embark on this because I noticed that a lot of my artwork consists of lots of overall pattern and texture and I needed something to get me organised now that my boys are all flying the nest and I’ve got more time to set up a business in it!
I’m finding it really inspiring and you’ll probably see quite a lot of it popping up in the next few months but just now we’re doing colour and here are a few photos that I’ve dug out to get colour swatches from…. UPDATE: I added the swatches I got from them at the Color Palette Generator
A cliff in Cornwall (didn’t do one for this as both the colour generators I tried seemed to ignore that gorgeous red/orange and green and focus on the browns/blacks of the rocks).
My Sketchbook that I submitted for the Arthouse Coop Sketchbook Project earlier this year has now been digitized. You can see it here. My profile page with all my submitted artwork is here.
I am taking part in the 2012 Sketchbook Project as well – this year they have designed their own sketchbooks with slightly better paper. I still prefer the Moleskine notebooks, apart from the paper! The theme I’ve signed up for this time is A Path through the Trees. Haven’t started it yet although I’ve got a few ideas for it.
I am also taking Elizabeth Barton’s online class at Quilt University on Working in Series. I’ve only got as far as reading through the first week’s notes so I need to get down to some serious work on that.
If you’re a member of QuiltWOW, you’ll notice I have an article in the new June issue, about painting on fabric with acrylic paints. Maggie Grey asked me in the spring to write one, and I was thrilled because her online workshops site, Workshop on the Web is well respected and well known and QuiltWOW is the quilting version of it. As you’ll know if you are a regular reader, I love online workshops!
If you haven’t come across them before, there are free taster issues online which are well worth visiting.
Here is a sneak peek at one of the photos in my article:
I painted lots more fabric that I didn’t use for the article so I might post pics of them in the blog over the next month or two.
I was also honoured to be asked by John Turner, editor of the journal of the NSW Guild of Craft Bookbinders, if he could reprint my tutorial on making concertina books in the journal. Of course I agreed, and he kindly sent me a number of issues of the journal which I’m looking forward to reading.
If you missed the tutorial, which I wrote back in December 2006 and which still gets hits today, here’s the link to it.
Summer always seems to be a busy time with exams and kids’ outdoor activities, so I haven’t had much time for textile stuff. I recently bought some family tree software – other members of my family have done most of the hard work and have got back as far as the 1700s in some cases – but I thought I’d like to have a go myself. The software came with a free month’s subscription to Ancestry so I have been making good use of it while I can, delving into census returns and trying to solve the mystery of missing persons and wrongly transcribed names! I also went on a visit to the Black Country Museum just outside Birmingham where they have a cottage that my great great great grandparents used to live in! More in the next post, when I’ve uploaded my photos!
This week I’ve been having fun with the first lesson of the free online course which Maggie Grey is running for anyone who has bought her book, Textile Translations: Mixed Media. We had to choose a motif and I had one of these made from a stamp of beach huts so decided to keep to my present theme of houses and make the book in the shape of a house rather than the sort of triangle shape she suggested. These are all going to be stitched together to form the cover but this is as far as I’ve got so far.
This one will be the back.
And this one will be the middle.
Here is the reverse of one of the cover pages.
I’ve got to stitch into them next so I hope the gesso and paint don’t break the needle!!! More anon…
I didn’t make last week’s journal in Sue’s journal making course because it was a wire bound one and I have a Bind it All machine which I thought would do the job adequately. But I did make this accordian fold one the week before, with envelopes as signatures. I decided to make it from the remaining house fabric.
I had previous gocco printed some brown envelopes which I bought in Machynllech on holiday. Some of them I got upside down but because they were put in vertically in this journal it didn’t matter!
The gocco prints are of buildings too, so they fitted in nicely with the theme. I didn’t have quite enough so I also put this white envelope with a lovely bee stamp which someone sent me a while ago. I kept it because it looked so nice and I’m glad I did because I’ve finally found a use for it.
We made little journals to go inside the envelopes and, being short of time, I decided to use some of the scraps from the previous house journal to make triangular ones, instead of the larger rectangular ones in Sue’s instructions.
Here they are sitting in their little pockets:
I even got an ATC sized piece out of the scraps and I think it looks great with this altered leaf on top of it!